WHEW
And I mean that literally.
Folks, this has been one of the most challenging things I have ever done, and it was so much fun! :) We finished the recording and now I have listening to do like you wouldn't believe. I have about thirteen hours of music to analyze and pick apart. I know it's been a week since we finished, and I've been trying to write this since then, to recapture how it all went (and because I'm going to forget it, if I don't write).
Here was our schedule:
Monday, the 10th
8am - get to the chapel to set-up
9:30-12 - recording
12-1:30 - lunch break
1:30-6 - recording (there were some breaks of course. I can't play 5.5 hours straight!)
Tuesday, the 11th
8am - back to the chapel again
9-11:30 - recording
11:30-12:30 - lunch
12:30-4:30 - recording
List of works to record:
(baroque piece) Bach, J. S.
Sonata in E major, BWV 1035
(classical piece) Mozart
Concerto in G major, first movement ---my cadenza
(french conservatory) Enesco
Cantabile et Presto
(20th century piece) Nielsen
Concerto for Flute and Orchestra
(work by a living composer) Gougeon
L'oiseau Blesse
(orchestral excerpts)
-Beethoven
Leonore Overture No. 3
-Brahms
Symphony No. 3
-Debussy
Prelude to the Afternoon of a Faun
-Hindemith
Symphonic Metamorphosis
-Mendelssohn
Incidental Music to A Midsummer Night's Dream
-Ravel
Daphnis and Chloe
(...I'm just now realizing that Daphnis is the
guy's name in this couple........)
anyway....
Monday morning was an early start for sure. I arrived around 8, and met my recording engineer, who began setting up six microphones and the other equipment he used. We pulled the Steinway out of the back room onto the stage and had to move the organ to the back (a bit nerve-wracking - I seriously do not want to mess up anything with that organ!), and I began getting my stuff set up. I pulled out a chair from the green room and three music stands - I used two for my music and one that I thought would be great to put my notebook on and other things, like a pencil, my cell phone, tissues, etc. That ended up not working so well - the stand just tipped upside down and dumped everything on the floor, so all the extra music and things I needed basically went on the chair...I thought it would have been a good idea though. Then I brought two old towels, my yoga mat, and a fleece blanket to stand on. (You have no idea how nice it is to not have to stand on hard floor when you're recording.) The last little bit of prep work was to tape up recording signs, which may have been a little snarky. I'm pretty sure I used the phrase..."if you must look in, please do so when I have finished playing."
Dr. Ball came around 8:30 to warm up on the piano. If you don't know, I'll tell you - you can't just warm up on any piano if you're recording on a different one. You need to adjust to the feel of the keys, and it's timbre, so we were serenaded by various composers while setting up - Brahms, Mozart, Liszt - she's such an amazing pianist.
Then I took my flute out and began warming up - and we started rehearsing some tricky passages, which gave my engineer time to find the balance and set recording levels and such.
We started recording with the Mozart, then went on to the Enesco and then the Bach. After lunch, we worked on the Nielsen, and then I let Dr. Ball go so I could do my unaccompanied piece, the Gougeon and my excerpts. My goal was to try to lay down at least two takes of each piece, so that I would have something to work with. Frequently I would make a mistake, or simply not attack a note in the way I preferred, so I would stop within the session and we'd start over from a decent spot. So I could very easily have anywhere from 2-5 performances of each piece, especially with the addition of the recordings from Tuesday.
When we had finished recording for the evening, my engineer gave me a thumb drive on which he had downloaded all the recorded music from the day. I was to go through it all that night and pick out the places where I had made horrible mistakes that we needed to touch up on the next day. That was the plan, at least: Day 1 - record, Day 2 - do touch-ups. Actually, though, when I got home, I had roughly seven hours of music to listen to and analyze. I got through most of it, doing a large amount of work on the excerpts, and then realized that I was
never going to finish it all, and what I really wanted was to just record everything all over again just so that I would at least have some more takes to work with, and I could listen and analyze in the coming week. DUH. I should have thought of that sooner than midnight, thank-you-very-much. So at midnight (
and not before) I went to bed, only to get back up at six to head back over for another full day.
Tuesday I began another day of recording everything, only by the time we finished all the accompanied pieces around 2:30, I was too tired to record my other music. It takes a huge amount of concentration to focus on playing everything as perfectly as possible without mentally tricking yourself out. I literally had to look away or close my eyes on some of the runs because my fingers knew them, but my eyes would second guess the notes. However, I was able to rally and lay down more tracks of the Gougeon, and two of the excerpts I needed to re-do, but that was it. I had listened pretty extensively to the excerpts the night before and was mostly pleased with what I had, and I came to the conclusion that any more recording would be sub-par to what I had done on Monday anyway.
If I haven't said this before, I was privileged to record in the Hawkins Centennial Chapel on campus, and it is a
wonderful place in which to record! It seats approximately 3,046 people, which is quite large, and I was apprehensive going in on Monday that I wouldn't have enough reverb to play normally. Usually if I can't hear myself, I tend to overplay in an effort to hear myself. But soon enough, my ears adjusted to the hall and I was able to play normally. The reverb was incredible, and I'm pretty sure I'll never be happy playing anywhere else.
Now all that's left to do is finish listening to the music, and completing my applications. They're due by Dec. 1st, and if the teachers there like my recording, I'll be invited to audition live. So we'll see how this all goes. If I don't make it into a program, at least I have a recording that I am really proud of!
Thanks for reading, everyone, and I hope you have a great day! I'll keep you posted, of course. :)